Raptus Comics Festival 2015

I visited the Raptus International Comics festival the during the weekend. The comics festival, which this year was from Friday 18th to Sunday 20th, is an annual event that I have been going to for a few years now (links at the end of this post to previous write-ups!). I couldn’t attend the opening on Friday, but at least I got to spend a few hours at the venue on Saturday.

Arild Midthun presenting 'Truls og Trine'First of all, I attended a presentation on the upcoming Christmas comic Truls og Trine, hosted by the artist, Arild Midthun. He talked about his drawing process, visual style and inspirations, and “borrowing” from other artists.

Afterward, I stopped by Mark Crilley’s comics panel. He was being interviewed about his visual influences and how he got introduced to manga style. He also gave general tips on how to get published as a comic artist. At the very end of the interview, Mark revealed to the audience that he’s making a new comic book to be released in 2016. Judging by how he described it, it’s going to be a blend of a graphic novel and educational drawing book, which indeed is an intriguing concept. I’m not going to reveal what it’s called, for now…


By the way, Mark Crilley already have a vast collection of How to draw-videos on his YouTube channel; which is a nifty resource for anyone interested in learning to draw.

I also attended Thierry Capezzone’s talk about Flåklypa, which is yet another Norwegian Christmas comic. He talked about how he had to distance himself from his own Franco-Belgian drawing style on this project. This was important because a lot of Norwegian would have certain expectations about the look of a comic set in the Flåklypa universe (originally created by renowned Norwegian artist Kjell Aukrust). Also, he pointed out that he had only had three months to complete the entire comic, which in itself is an impressive feat.

Thierry Capezzone talking about Flåklypa

Last but not least, I attended the Grapple Seed presentation. The two guys behind this brilliant story had a thorough presentation of the premise of the world the comic is set in; a world where everything but stone is pushed away from the earth by an opposite grativational force.

Grapple Seed's Eddie Jensen and Håvard Heggenhougen

They also pointed out that it’s not just a webcomic; the comic is being made with print in mind. Sadly, none of the publishing companies they’d been in touch with had given a positive response (or worse, no response at all). This is a comic I would like more people to read, mainly because of its vivid art style and meticulously crafted alternative universe… So, I highly recommend taking a peek at Grappleseed.

After these talks, I wandered around the convention and bought myself a few comics. I also got to talk to Mark Crilley while he signed my copies of Brody’s Ghost volume 1 and volume 6. I also bought Jens K. Styve’s new book, and bothered him to sign my “artists I met at Raptus” book (a Moleskine sketchbook I’ve been collecting autographs and drawings in since 2011). He recognized the brand with a smile. I told him that I’m finding it hard to use my own Moleskine sketchbook, just because it’s so expensive (I’ve used about 1/3 of the pages, and I got it many years ago!).

I had to skip most of the events on this day, since I was very pressed for time on a project I have to finish. This was particularly sad because I had looked forward to Mark Crilley’s talk about his Mastering Manga books (and of course, I wanted him to draw in the aforementioned autograph book). But perhaps I’ll have another chance someday?

Less people around at the festival stands, late Sunday afternoon...Nevertheless, I decided that I should at least go to the final event of the day, The Big Show. This is also marks the end of the festival. During the show, which follows a formula from past festivals, the artist guests performed live drawing on stage. The event was fun to watch, and there were a lot of people in attendance. The artists were prompted to draw english idioms, which were kept secret so that people could guess what they were. All in all, basically a big game of pictionary. Furthermore, the winner of the Cosplay Contest for costumes had his likeness drawn by Mike Collins on the big screen during the show.


Big rounds of applause were given to all of the artists during and at the end of the event. It was also announced that next year’s Raptus will be held on September 16th to 18th.

That’s it for this year! If you’ve written about Raptus on your blog, I would love to read it! Leave a link below, or send me a tweet @InvPaperclip.

Here are my write-ups from previous festivals:

PS: I refer to the traditional Norwegian Christmas comics a couple of times in this post… I wrote a personal tidbit about this particular phenomena a while ago: Traditional Christmas comics.

Semi-recent drawings

Hey! Long time no see… It’s about time to revive this blog and show some of the latest things I’ve been doing. Here are two drawings from a short story I illustrated for an Easter issue of a children’s magazine.

Easter story #1 Easter story #2

I got the magazine sent to me, and I have to say that the vivid color scheme I used looked very nice in print! I’m quite happy about that.

Hourly Comic Day 2015


I made some comics on Sunday, February 1st… and so did a lot of other people. If you’re wondering why, you can read about Hourly Comic Day here (not to be confused with 24 Hour Comic Day, which is also explained). In short, everyone goes about their day as usual, and every hour they document something that happened during that hour in one or more comic panels. Sarah McIntyre (illustrator and writer) also wrote about HCD here, and she provides some great examples of her own hourly comics.

If there’s one thing to earn from doing this annual “experiment”, it’s the sense of community one gets from participating. As an added bonus, there’s a lot of fun hourly comics to read, especially on Twitter with the hashtag #HourlyComicDay.

Sadly, I had to cheat a little bit with the timestamps on my comics, since I discovered today that I actually had skipped some of the hours. I had also left a panel blank, so I split that in two and drew those digitally. I also inked most of the comic yesterday and today, so I can’t say that I made all this in one day. Still, I’ve improved since last year (2014), and the year before (2013).

Anyway, enjoy! And please leave a comment with a link to your own hourly comics if you made some (ok, you don’t have to… but it would be awesome if you did).






PS: Here’s a collection of links to other people’s hourly comics:

Joe DecieDan BerryAudra FuruichiAlisa HarrisSarah McIntyre, Boum.

Intro for Topic Town on YouTube

Topic-Town-animatedWhether the quote is true or not, this was something that stuck with me after I had watched the first episode of Topic Town. Topic Town is an ongoing video series and talkshow created by Craig Benzine (also known as Wheezywaiter) and Matt Weber. In each episode, the two guys spend somewhere around ten minutes talking about a more-or-less random topic. It’s currently hosted on The Good Stuff on YouTube.

I drew this using screengrabs from the first video and tracing paper. The text is lettered by hand, based on Helvetica Neue UltraLight and Thin Italic. After coloring the drawing with some of Kyle’s watercolor brushes, I animated it and tweeted the final product to @wheezywaiter. It so happened that he immediately started using the drawing as a logo (or intro graphic) for the show. This, of course, makes me a happy artist!

Oh, and here’s the latest installment of Topic Town…well, at least at the time I’m posting this.

My process on a comic project – part 2

I talked briefly about my traditional drawing process in this post (My process on a comic project – part 1). The following are some thoughts about how I tried out a digital workflow.

Digital inking
Mid-way in the comics project I’ve been doing, I started doing the inking digitally. This happened while working on the fourth four-page comic. I had discovered Kyle’s brushes, and I have since invested in a vast collection of his digital brushes. The brushes are capable of imitating a wide selection of traditional media, and it has been a lot of fun to try them out.










I would still start with a pencil drawing, and then scan it at a very high dpi. At the time, I thought that working with a high dpi (somewhere between 340-350 dpi) would make the art look good. But the result was probably the opposite, as I had a tendency to zoom in a lot and add details that would be too small to make sense in print.

This is one of a few things I learned about digital inking. I also found out that what worked best for me was to find two brushes that work well together, and stick with only those two. In the end, I worked with one called Clean Comics on the characters and foreground, which in my opinion needed clean edges and a reasonable amount of line variation. I tried to draw most of the background with a less “flexible” brush named Comics Tech Pen 12px (Clean Comics and Comics Tech Pen 12px are both Kyle T. Webster’s brushes).

Now, there are a few stylistic differences between my first comic and the final comic I did. Doing this project has been a learning process for me, and I can’t deny that my drawing style has evolved a bit while working on the comics. Just look at these panels, the first one from the first comic and the second from the seventh.


(Side note: The first panel of the comics usually had this gang of kids walking along the street, setting the season and the mood of the weather.)

Let me just say that I like working hands-on with the traditional process I mentioned in the previous post. I also have to mention that I personally feel it’s easier to draw and sketch loosely with a pencil and paper. And last, but not least, a pretty detailed pencil drawing was required for me to have something to work with when inking digitally. But all in all, I think I saved some time by eliminating the traditional inking step. Also, I could easily listen to a podcast or have an episode of a TV-show running in the background while working on my big iMac screen… Which in turn made the tedious task a bit easier.

Raptus 2014 – Sunday

My «report» from Raptus – Bergen International Comics Festival 2014. (read part 1 here).

Sunday 21st
Another day, another stack of comics. The haul I brought home today was a bit heavier than yesterday’s, and I don’t dare to think about the amount of money I spent. I can’t complain though, as I got to meet and get books signed by both Lene Ask and Thierry Capezzone. Here’s the latter, pictured together with yours truly.

Capezzone and me

As a side note, Capezzone was very friendly and interesting to chat with. He asked me about what I do for a living, and he even gave me some drawing tips when I told him that I dabble in comics. What a great guy! (Also, thank you to the Outland employee who took the photo).

I also completed my set of «Dadaph Serraph» comic books made by Bård Lilleøien, and I bought an anthology from Überpress called «Überwestern». I look forward to reading them all soon.

One of the things I attended today was Lene Ask’s presentation about her new book called «Kjære Richard». The story takes place in the late 19th century, as a young boy is left to live in Norway while his father leaves to work as a missionary in Madagascar .

Lene Ask 3

Ask tells the story through a real correspondence of letters between father and son. The collection of old letters she has used exists today in an archive in Stavanger, a city which Ask during her presentation called «the missionary capital of Norway». She also read excerpts from the book with great feeling.

Lene Ask

Later in the afternoon, I went to a panel discussion about comics as documentaries. I had been looking forward to hearing about the topic, and I was hoping for a large turn up. Sadly, there were only 7-8 people in the audience. However, I don’t think the low attendance affected the quality of the discussion.

Documentary Comics panel

Expert moderator Kristian Hellesund (right) had (from left) Ingebjørg Jensen, Lene Ask and Øystein Vågnes on stage, and they talked at length about autobiographical comics and the journalistic quality of documentary comics.

Last, but not least, was the big show, which also marked the end of the festival. The remaining audience could witness drawing battles between some of the guests.

Drawing battle - Potato man

They drew live on stage, using suggestions from the audience for superhero/sidekick combos. I think the people in the audience must’ve been kind of hungry, because there were suggestions like «Potato Man», «French Fries» and «Banana Woman». There was also «Apple Woman», which Mike Collins redubbed «Apple-Lass» and drew a spoof of the infamous Spiderwoman cover by Milos Manara.

That’s it for this year. Next year will be the festival’s 20th anniversary. The dates are already set; Raptus 2015 will be held on September 18th to 20th. Raptus.no should also update soon, so be sure to check it out.